Tuesday, January 20, 2015

x.38 outer-space-asparagus-man


acrylic on Fabriano 300 watercolor paper 8" x 10"





The doodle on the left is where I began working on x.38. I developed it in a few different directions, and the sketch in the middle is one of them, but I wasn't ready to commit. When I found the doodle on the right in my stash of alien menagerie drawings, the path to a final idea became much more apparent. The simple ball-point pen doodle was inspired by how I would assemble the bud from a Rose of Sharon with the flower to make a small 'person' when I was about five years old.





 I think it was inevitable that this memory would find it's way into my alien menagerie eventually.





The 'Phylosians' from Star Trek: the Animated Series were also on my mind. Always thought they were cool.




Tuesday, December 23, 2014

Happy Holidays!


Just about everything I work on that is “alien menagerie” reveals it to be an art project in slow motion. I’m fully aware of how many times I find myself writing in this blog about how this something-or-other was started “X” years ago. In 1995 I made a Holiday card featuring a whimsical green alien in a Santa hat.




I thought it could be the beginning of a theme - “Santas From Another Planet”. I’ve made a couple related cards in the years past, but the “Santas From Another Planet” theme just didn’t crystalize until this year. So here, 19 years later, is my Holiday card with a Collector Card attached to the front: “Santas From Another Planet #1” 





acrylic on Fabriano 300 watercolor paper

My New Years resolution will be to make a “Santa From Another Planet” collector card #2

I hope you all have a wonderful Holiday Season!

Wednesday, November 12, 2014

x.37 - the prophet



acrylic on Fabriano 300 watercolor paper 8" x 10"

The ballpoint pen doodle that led to x.37 was made while I was sketching through designs for the previous alien. From the beginning I saw a mystical quality in the character, and imagined it as a prophet of some kind. I set that sketch aside as the basis for what I knew would be the next extract from alien menagerie. Looking forward, the nature and appearance of x.38 is up for grabs. I have no idea what that one will turn out to be.




Friday, August 15, 2014

x.36 - sphynx



acrylic on Fabriano 300 watercolor paper 8" x 10"

This one started as a messy ball-point pen doodle, shown below along with some of the thumbnail variations I made.



I refined it down to these two before I settled on the "sphinx" version.




Wednesday, June 18, 2014

John Schoenherr


This is the first appearance of DUNE as it was serialized in Analog magazine, cover date - December 1963, photographed in front of 5219 39th Avenue in Queens.

I've been by this house hundreds of times. It's five, short blocks from where I've lived for the past 20 years! I never knew until just recently that it was where John Schoenherr grew up and worked before moving with his young family to rural New Jersey. The first visualization of DUNE was painted in his studio-  in that house. 









































So was this: It's his second book cover, and a favorite of mine. 









































So were these: Both originally covers for Analog magazine, but I knew them from the book TOMORROW AND BEYOND.


















I couldn't quite believe it when I learned that the home he grew up in was so close to me. It was a wonderful, serendipitous discovery facilitated by some random web browsing, and a conversation with his son Ian, via twitter. John Schoenherr is easily one of my favorite illustrators of science fiction, and an inspirational influence. It was the Illustrated edition of DUNE I bought at B Dalton's in the summer of 1978 and read. Schoenherr's art left an impression on me equal to the novel itself. He painted starkly and powerfully. With a keen eye for color, lighting and mass, he made big statements without a lot of fussy detail.





































His black and white work was just as stunning and dramatic.














































For all of that, some of his best work, and from what I've read, the most dear to him was his wild life artwork. Perhaps it was his fondness for wildlife that made his aliens so convincing.






















I'll end with the last page from the Caldecott Medal winning book OWL MOON:










































Now when I go by 5219 39th Avenue, I always refer to it as the "Schoenherr house".




Ian's blog devoted to John Schoenherr


Friday, May 30, 2014

x.35


x.35 is the newest entry into my alien menagerie. I did a modest amount of redrafting, but my intent with the extracts is to work pretty directly from my sketchbooks.




acrylic on Fabriano 300 watercolor paper 8" x 10"

The original doodle is from 2003. In 2006 I used the sketch in a quick digital study to help visualize a move forward into paintings of these subjects. This may all serve as some proof that my methods are not all that spontaneous, but in truth it's also a lot of fun to circle back to an old sketch and bring it forward into a more fully realized version.


Tuesday, April 29, 2014

x.34



acrylic on Fabriano 300 watercolor paper 8" x 10"

Some of my aliens are designed to answer a specific theme or idea I'm chasing. Others are mined from sketches that I've accumulated over the years. i find value and enjoyment in both approaches, X.34 is a modest refinement of a quick doodle from 2011.