John Schoenherr

This is the first appearance of DUNE as it was serialized in Analog magazine, cover date - December 1963, photographed in front of 5219 39th Avenue in Queens.

I've been by this house hundreds of times. It's five, short blocks from where I've lived for the past 20 years! I never knew until just recently that it was where John Schoenherr grew up and worked before moving with his young family to rural New Jersey. The first visualization of DUNE was painted in his studio-  in that house. 

So was this: It's his second book cover, and a favorite of mine. 

So were these: Both originally covers for Analog magazine, but I knew them from the book TOMORROW AND BEYOND.

I couldn't quite believe it when I learned that the home he grew up in was so close to me. It was a wonderful, serendipitous discovery facilitated by some random web browsing, and a conversation with his son Ian, via twitter. John Schoenherr is easily one of my favorite illustrators of science fiction, and an inspirational influence. It was the Illustrated edition of DUNE I bought at B Dalton's in the summer of 1978 and read. Schoenherr's art left an impression on me equal to the novel itself. He painted starkly and powerfully. With a keen eye for color, lighting and mass, he made big statements without a lot of fussy detail.

His black and white work was just as stunning and dramatic.

For all of that, some of his best work, and from what I've read, the most dear to him was his wild life artwork. Perhaps it was his fondness for wildlife that made his aliens so convincing.

I'll end with the last page from the Caldecott Medal winning book OWL MOON:

Now when I go by 5219 39th Avenue, I always refer to it as the "Schoenherr house".

Ian Schoenherr's blog

Ian's blog devoted to John Schoenherr

x.35

x.35 is the newest entry into my alien menagerie. I did a modest amount of redrafting, but my intent with the extracts is to work pretty directly from my sketchbooks.

acrylic on Fabriano 300 watercolor paper 8" x 10"

The original doodle is from 2003. In 2006 I used the sketch in a quick digital study to help visualize a move forward into paintings of these subjects. This may all serve as some proof that my methods are not all that spontaneous, but in truth it's also a lot of fun to circle back to an old sketch and bring it forward into a more fully realized version.

x.34

acrylic on Fabriano 300 watercolor paper 8" x 10"

Some of my aliens are designed to answer a specific theme or idea I'm chasing. Others are mined from sketches that I've accumulated over the years. i find value and enjoyment in both approaches, X.34 is a modest refinement of a quick doodle from 2011.

Boy Blockhead's Big Book of Outer Space Aliens

It was 1993 when I first started kicking around the idea of making some kind of alien-zoo art project. I wasn't really sure what form the project itself should take. I was keen on making some paintings, or maybe even some shadow box constructions. It was the first time I started really thinking about art that was outside of my book cover, illustrator niche. Maybe it's because a couple of my friends had success with their own book projects, that I thought a book proposal of my own was the best way to help this alien menagerie happen. I have to admit though, I didn't have much of a story to tell. Well, I did think that a collection of paintings under the title "Boy Blockheads's Big Book of Outer Space Aliens" might be a way to approach it. Boy Blockhead was a character I would occasionally doodle, and it seemed logical to enlist his aid in hosting my alien menagerie. I had a couple theories about his role in the whole thing; one had him finding a mysterious book of aliens, the other had him traveling in his spaceship documenting the aliens he encountered. A later, more surreal concept is that the box environment each alien is depicted in, is actually the inside of Boy Blockheads noggin. I still like that one.

I was typically painting more than 20 covers a year during this period, so making the time to do more than the occasional sketch was a big problem. I'm sure this is a pretty typical scenario for any busy freelancer too. It's really difficult to carve out time to indulge personal projects, and I was still finding a lot of satisfaction in the cover work as well. Another problem I had though was trying to imagine how "alien menagerie" and the other work I was doing would coexist. Here's a slice of the work I was doing in 1995, and my aliens were coming from a pretty different direction.

Without a solid plan, I would work on the idea every now and then. These are from a sketchbook I started in 1995. The sketchbook itself, is a really handsome, bound book that completely intimidated me. Of the 100 pages, I filled a dozen. I'm sure that available time took it's toll, but i was really afraid of making a bad drawing in that book!  After a couple of these partially filled in sketchbook debacles, I took to drawing my aliens on loose leaf paper and tossed them into a box for future reference. It certainly helped me keep a more steady stream of sketches coming, and eventually I got over my fear of working in a bound sketchbook too.
 

An awful lot of time would pass before I finally got around to painting the first one. Even today, I still run into periods where other work keeps me from my alien menagerie for much longer than I like, but I'm glad I never gave up on them either.

x.33

acrylic on Fabriano 300 watercolor paper 8" x 10"

Happy Year of the Horse!

no comment on my absence from blogging except to say I'm glad to have something new to share. Happy Year of the Horse!

acrylic on Fabriano 300 watercolor paper 8" x 10"

~the evolution of a horse.

新年快樂

새해 복 많이 받으세요

chúc mừng năm mới

Happy Lunar New Year!

alien menagerie #7 • spring

This is a painting that I've had around for quite a while in a mostly completed state. I added the final bits to this last month and I'm finally comfortable with calling it finished.

oil on wood panel 18" x 20"

Alien menagerie #7 is "SPRING" from a series devoted to the four seasons. 

I haven't done these in any particular order, but three are now finished.

It's the first day of autumn here in the Northern hemisphere, but south of the equator the September equinox brings spring!